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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。故事发生在一个电脑科技极为发达的年代,一名科学家发明了一个杀人程序协助警方办案,其中集结了数百名连环杀手的资料和他们的作案手法。这个程序是如此的邪恶,最后不仅生成了个人意志,更拥有了人类的外表和可以随时修复任意损伤的特殊能力,它从禁锢中逃脱了出来,在世间作恶。 为了捕捉这位邪恶的“凶手”,警方设计了一个追踪仪器,罪犯帕克(丹泽尔·华盛顿 Denzel Washington 饰)被选中成为了仪器的试验品。帕克曾经亦是一名警察,却因为动用私刑杀死了让他家破人亡的杀手而被免除了职务打入大牢。而让帕克感到在意的是,在杀人程序中,亦有当年杀害他家人的那名杀手的存在。。以一副古老的唐卡地图贯穿全片,以人物说民俗,用民俗讲故事,从故事看风景的叙事风格,构成了一部真实、平实、自然而又神秘的西藏民俗宝典。这是首部用本土化的眼光、乡情、亲情介绍西藏的纪录片。。
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